I have been looking for the perfect camera bag for years. But it would seem that I am a camera bag snob. My current camera bag is a backpack style from F/64 that my mentor passed down to me years ago. I love this bag because it holds everything I want to carry with me perfectly, including my laptop. I will admit that it is not the most comfortable bag to carry, a fact that I am often reminded of on long trips.
However, every time I start looking around at camera bags I am thrown off by the restrictions or weight of the bag itself. Should I get a rolling bag? How in the world am I going to get that around Lusaka? Nope...must stick to standard backpack or shoulder bag. Let me tell you, some of those bags weigh as much as I do.
Well, I may have had break through thanks to some excess blog reading. I may have found the perfect bag. It's not even a camera bag, instead a forensic bag, that doubles as a great gear bag at only $99! I'm thinking it may be time to order one of these bad boys! I'll let you know how it goes!
Tuesday, August 10, 2010
Guidelines to Live by When Entering a Photo Contest
Per my earlier post, I found an article that actually gives you guidelines regarding entering photo contests! I cannot describe my excitement, as I have no less then 10 bookmarked and I have been trying to decide which ones to enter. Thanks to Susana Raab for having this one on her blog!
Know your rights. First stop should be http://www.pro-imaging.org an organization thats produced a bill of rights for photography contest organizers. Contests that do not appear on their site need to be carefully researched. Any contest that takes excessive rights to the images submitted is geared towards amateurs and you should steer clear of it.
Know your rights. First stop should be http://www.pro-imaging.org an organization thats produced a bill of rights for photography contest organizers. Contests that do not appear on their site need to be carefully researched. Any contest that takes excessive rights to the images submitted is geared towards amateurs and you should steer clear of it.
Sunday, August 8, 2010
What the Duck?
I am loving the photo inspired comic strip by Aaron Johnson.
http://www.whattheduck.net/bestof
I may be ordering a t-shirt! :)
http://www.whattheduck.net/bestof
I may be ordering a t-shirt! :)
How do you start your freelance business from the ground up?
This is the question that is weighing heavily on my mind today. It seems like there is always a procedure to follow, a book to read, but in the end I wonder if it really all comes down to how much you want to be a photographer? The rest is just details.
More established photographers tell me to update my website, do some heavy reading on the business of photography, social network, enter contests, make a portfolio book, go to photography events, network, and network some more. As a photographer just a few months into the freelance world this is what I can tell you....so far.
I redid my website, but am still questioning if I need to do more editing. I always want to wait until my next project is completed before sending it on to someone.
My book list from the date that I decided to go freelance includes the following:
Best Business Practices for Photographers (Second Edition) by John Harrington
ASMP Professional Business Practices in Photography, 7th Edition
Iacocca by Lee Iacocca
The New Rules of Marketing and PR by David Meerman Scott
The Dam Book: Digital Asset Management for Photographers by Peter Krogh
Have any of these books helped? Sure. I have learned alot! But more than likely I will be referencing them for the rest of my life before I can store any of that information in my short term memory.
I currently read any photography blog that I find interesting, which leads my google reader with an outrageous amount of reading material. I'm not sure that I will ever catch up.
I am trying to be good at social networking. I like blogging, hate twittering, and am doing my best to spread the word about my business. I'm still not sure anyone reads this though.
I bought FotoQuote & FotoBiz, only to decide that I will probably make up my own forms as I don't like the format of FotoBiz.
I recieve the list serve list on photography contests all over the world, and from various photography newsletters. I research every one before deciding whether our not I'm willing to plunk down the 20-100 dollar entry fee.
This week I started to put together an actual portfolio book, but found myself confused about what you in include, how to present both horizontals and vertical images beautifully, and asked myself over and over again. Do I have what it takes?Is a single photo editor/wire service going to understand why I capture what I capture.
Since I just returned to D.C. I am back on the photography event circuit, which for me starts with WPOW happy hour next week.
Here's the truth as I see it. Maybe it doesn't matter how many books you read, how many photo contests you enter, or how good (or bad) your photos are. Maybe it's more about spunk. Are you willing to go up to bat for your photos? Are you willing to go and see every photo editor/wire service/photographer you know (or your friends know) and take the inevitable smack down when they don't like your work. Can you take the criticism? And better yet after that criticism will you still go home and pick up your camera and say, "I'm doing it anyway!"
I know that I don't have the answers when it comes to how you make it as a freelancer. I'm willing to try almost anything that has worked for others. But maybe I just have to find my own way. The truth is sometimes things fall in place and your dreams come true. Other times you just have to keep on keeping on and hope that day is just around the corner.
More established photographers tell me to update my website, do some heavy reading on the business of photography, social network, enter contests, make a portfolio book, go to photography events, network, and network some more. As a photographer just a few months into the freelance world this is what I can tell you....so far.
I redid my website, but am still questioning if I need to do more editing. I always want to wait until my next project is completed before sending it on to someone.
My book list from the date that I decided to go freelance includes the following:
Best Business Practices for Photographers (Second Edition) by John Harrington
ASMP Professional Business Practices in Photography, 7th Edition
Iacocca by Lee Iacocca
The New Rules of Marketing and PR by David Meerman Scott
The Dam Book: Digital Asset Management for Photographers by Peter Krogh
Have any of these books helped? Sure. I have learned alot! But more than likely I will be referencing them for the rest of my life before I can store any of that information in my short term memory.
I currently read any photography blog that I find interesting, which leads my google reader with an outrageous amount of reading material. I'm not sure that I will ever catch up.
I am trying to be good at social networking. I like blogging, hate twittering, and am doing my best to spread the word about my business. I'm still not sure anyone reads this though.
I bought FotoQuote & FotoBiz, only to decide that I will probably make up my own forms as I don't like the format of FotoBiz.
I recieve the list serve list on photography contests all over the world, and from various photography newsletters. I research every one before deciding whether our not I'm willing to plunk down the 20-100 dollar entry fee.
This week I started to put together an actual portfolio book, but found myself confused about what you in include, how to present both horizontals and vertical images beautifully, and asked myself over and over again. Do I have what it takes?Is a single photo editor/wire service going to understand why I capture what I capture.
Since I just returned to D.C. I am back on the photography event circuit, which for me starts with WPOW happy hour next week.
Here's the truth as I see it. Maybe it doesn't matter how many books you read, how many photo contests you enter, or how good (or bad) your photos are. Maybe it's more about spunk. Are you willing to go up to bat for your photos? Are you willing to go and see every photo editor/wire service/photographer you know (or your friends know) and take the inevitable smack down when they don't like your work. Can you take the criticism? And better yet after that criticism will you still go home and pick up your camera and say, "I'm doing it anyway!"
I know that I don't have the answers when it comes to how you make it as a freelancer. I'm willing to try almost anything that has worked for others. But maybe I just have to find my own way. The truth is sometimes things fall in place and your dreams come true. Other times you just have to keep on keeping on and hope that day is just around the corner.
Thursday, August 5, 2010
Women in Afghanistan: Inspirational Portraits by Jody Bieber
I recently came across this video interview with Jody Bieber on her portraits of women in Afghanistan. I am always drawn to photographers who give their subjects the dignity which they deserve. I was especially drawn to the Time's cover image of Aisha. When I look at the photograph and see this beautiful woman who has been disfigured by the rules of her society, I am proud that the photographer chose to show Aisha is such a beautiful way. The luminance in the light tells a tremendous story in a single instant. I think that this is a testimonial to the power of portrayal which photographers hold. I have so much respect for photographers who will fore go the shock factor and tell a story. Jody made a instant fan of me!
Thursday, June 24, 2010
Sneak Peak of La Vallee Photos!
Last week, I did a photo shoot for the non-profit ACDI-Voca. Here is a sneak peak of my favorite images from the week!
© Crystaline Randazzo Photography - All images are copyright of Crystaline Randazzo and in no way are to be used by Google, Google Advertisers or any third party. These are not your pictures. Steal them and I will sue you.
Friday, June 4, 2010
5.31.2010 Rainy Season
In my art as in life I have always been attracted to the abstract. There is always a sense of mystery surrounding any piece that leaves a face within the shadow of the distortion of detail brings new meaning to an old idea. Driving through the streets of Haiti, the rain came down in a torrent of noise and mass, and I found a new respect for the Haitian people as a whole.
And peering out of my window, I wondered how these incredibly resilient people were managing to survive yet another blow by mother nature. They were huddled under umbrellas w. trash bags wrapped around their heads or the precious goods which were their only livelihood. At yet, there is always an intense sense of dignity around them, even through the blurred, rain streaked window.
© Crystaline Randazzo Photography - All images are copyright of Crystaline Randazzo and in no way are to be used by Google, Google Advertisers or any third party. These are not your pictures. Steal them and I will sue you.
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